Responsibility of Firefighting Teams Term Paper

Responsibility of Firefighting Teams - Term Paper Example The fire and rescue team has a responsibility to give support and restore stability in case of natural disasters like terrorist attack, radioactive emission, nuclear disaster and floods. The government supports the service team nationally to help it work effectively with other local bodies requiring local, regional, national response. To address large issue the local and the regional bodies come together. They are utilized to consider and plan for wide area risks like floods and other major outbreak of diseases. In the Fire Control project, it is ensured that the fire and rescue team gets the required mobilizing and response tools they need to continue a world-class enabled service. Communities and local government remain committed to working with Fire Control teams so that best services are delivered and can successfully meet up the challenges of the twenty-first century. The Fire and Rescue services team have, to enter an agreement with the local bodies that they agree to perform t he task so as to run the new control service and keep the department informed of any issues that might arise. (Fire and Rescue service 2008-11, n.d. p.12) They also have a duty to participate constructively and wholeheartedly in any other regional arrangement that m fight exists. They also have a duty of working closely with fire Recontrol technology,y providers and subcontractors and to report about the progress regularly to the communities and local governments. Firelink provides for the crucial internal communication between the communication rooms and various vehicles of Regional control centers (Fire and Rescue service 2008-11, n.d. p.23) The roles of fire and rescue teams have become even more important because of the changing temperature in a global context. It has been found out that an increase in 1 degree centigrade in summers increases the number of outdoor fires by 24000 to 40000 per year in England and Wales while an increase of two degrees would increase the chances of outdoor fire by thirty four to fifty six percent.

Final Film Critique Momento Mori Research Paper

Final Film Critique Momento Mori - Research Paper Example This might be a straightforward suspense thriller if not for the inversion of the usual chronology of a narrative. Rather than begin with the traumatic event, or early in the story with a few flashbacks to the traumatic event, the movie begins instead at its chronological ending, with Leonard enacting his revenge with the polarizing aid of a Polaroid camera. The story then proceeds in reverse, through a series of events in which each successive event precedes chronologically the event it follows. In effect, the movie mirrors the memory disorder that afflicts its main character. Leonard maintains a pretense of continuity through a series of tattoos that define his identity and his purpose and photographs that provide basic information about the people and objects with which he must interact. Equipped with these two modes of visual inscription, Shelby uses â€Å"habit and routine† to make his â€Å"life possible.† This essay will offer a detailed criticism of the film foc using on three themes: the double constitution of the film's protagonist, the fate of Teddy as decided by the objects around him, and the unique position the audience is placed in if and when they become aware of the climactic â€Å"error† of the film. ... But if his mind suffers from his strange amnesia, his body remains as a canvass on which to archive those questions of identity that haunt the agency lost along with his memory. Some tattoos provide routines by which to self-identify his disorder (â€Å"remember Sally Jankis†) while others provide information (the series of â€Å"Facts†) about the mysterious John G. responsible for his wife’s death. This cognitive road-map is in many was not nearly as striking and fetishized as it seems to be when it first appears on screen; in reality, it represents merely a more dramatic version of the same externalized memory technologies we have depended upon since the origin of writing. We use these external and technological memory systems to help make sense of the world around us, given that there is so much of the world we do not understand and far too much of the world for us to ever easily remember. In a book titled Impossible Exchange, Jean Baudrillard argues that huma nity, unable to deal with the radical uncertainty of the world, attempts instead to liquidate it, â€Å"to destroy it by substituting an artificial one, built from scratch, a world for which we do not have to account to anyone† (2001, p. 14). Given the doubts we have about the world, we prefer to find solace in the â€Å"simulacra and simulations† of places like Disney or religion or particular versions of history (Baudrillard, 1994), rather than face the reality that we do not know any of these things for sure. This is exactly what takes place in Memento with Shelby's tattoo work. Thus, Shelby’s attempt to use his skin as a place to store his memory is not as remarkable for its strangeness as it is for its banality: in a culture defined by the seasonal rotation of